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I had the unique opportunity to attend the virtual event "COLOR LIGHT MOTION" on Zoom, featuring the renowned artist Claudia Schnugg. Schnugg, known for her captivating exploration of light and space in her artwork, mesmerized the audience with her presentation on the concept of monoliths. Among the various thought-provoking ideas she shared, the discussion surrounding monoliths and their connection to space odyssey particularly stood out to me. Claudia Schnugg is an artist who seamlessly blends different media to create immersive experiences that push the boundaries of perception. Her work often involves the interplay of color, light, and motion, inviting viewers into a mesmerizing realm of visual exploration. With a background in fine arts, Schnugg has showcased her artwork in numerous exhibitions and galleries worldwide, leaving a lasting impact on those who encounter her creations. During the event, Claudia Schnugg introduced the concept of the monolith, a recurring motif

This week in class we focused on the intersection of space and art. Space, the final frontier, has long captivated human imagination, inspiring countless works of art and literature. Science fiction, in particular, has played a pivotal role in shaping our ideas about space exploration and discovery. From early books to modern blockbusters, the fascinating realm of space has been a catalyst for artistic inspiration and a driving force behind scientific advancements. "From the Earth to the Moon" by Jules Verne Science fiction literature, with its imaginative depictions of futuristic worlds and space travel, has laid the groundwork for scientific innovation. One seminal example is "From the Earth to the Moon" (1865) by Jules Verne, which envisioned a projectile fired from a giant cannon to send astronauts to the moon. Verne's novel not only captivated readers but also spurred discussions about the feasibility of space exploration. Arthur C. Clarke's "The F